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LandsailLandsail 71- Laufenn 91
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MichelinMichelin 641- Minerva 16
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Latime
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Diametru
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Zgomot Db
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Anvelopa vara HANKOOK K137 Ventus evo 235/35R20 92Y
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HANKOOK K137 Ventus evo 235/35R20 92Y
Anvelopa vara HANKOOK K137A Ventus evo SUV 235/45R20 100Y
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HANKOOK K137A Ventus evo SUV 235/45R20 100Y
Anvelopa Vara GOODYEAR EAG F1 ASY 3 SUV 235/45R20 96V
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GOODYEAR EAG F1 ASY 3 SUV 235/45R20 96V
Anvelopa All season BRIDGESTONE TURANZA ALL SEASON 6 ENLITEN 235/50R20 104Y
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BRIDGESTONE TURANZA ALL SEASON 6 ENLITEN 235/50R20 104Y
Anvelopa Iarna BRIDGESTONE BLIZZAK 6 ENLITEN 235/60R20 108W
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BRIDGESTONE BLIZZAK 6 ENLITEN 235/60R20 108W
Anvelopa vara BRIDGESTONE ALENZA 001 235/45R20 96W
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BRIDGESTONE ALENZA 001 235/45R20 96W
Anvelopa allseason BRIDGESTONE TURANZA ALL SEASON 6 235/45R20 100W
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BRIDGESTONE TURANZA ALL SEASON 6 235/45R20 100W
Anvelopa iarna Bridgestone BLIZZAK 6 235/40R20 96W
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Bridgestone BLIZZAK 6 235/40R20 96W
Anvelopa iarna HANKOOK IW01A iON i*cept SUV 235/45R20 100V
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HANKOOK IW01A iON i*cept SUV 235/45R20 100V
Anvelopa Iarna BRIDGESTONE BLIZZAK 6 ENLITEN 235/45R20 100W
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BRIDGESTONE BLIZZAK 6 ENLITEN 235/45R20 100W
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.