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Anvelopa allseason Sebring ALL SEASON LIGHT TRUCK 225/70R15C 112R
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Anvelopa allseason YOKOHAMA BluEarth-Van All Season 195/65R16C 104/102T
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Anvelopa allseason Vredestein Comtrac 2 All Season+ 205/65R16C 107T
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Anvelopa vara LINGLONG CROSSWIND A/T100 31/10.5R15 109R
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Anvelopa iarna Firestone VANHAWK 2 WINTER 215/70R15C 109R
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Anvelopa allseason YOKOHAMA BluEarth-Van All Season 185/75R16C 104/102R
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Anvelopa iarna UNIROYAL SNOW MAX 3 8PR 195/65R16C 104/102R
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Anvelopa allseason YOKOHAMA BluEarth-Van All Season 195/60R16C 99/97H
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Anvelopa iarna UNIROYAL SNOW MAX 3 215/70R15C 109/107R
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Anvelopa iarna FIRESTONE VANHAWK 2 WINTER 215/60R16C 103/101T
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Anvelopa allseason YOKOHAMA BluEarth-Van All Season 205/70R15C 106/104R
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Anvelopa iarna UNIROYAL SNOW MAX 3 225/65R16C 112/110R
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Anvelopa allseason YOKOHAMA BluEarth-Van All Season 215/65R15C 104/102T
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Anvelopa iarna UNIROYAL SNOW MAX 3 215/65R15C 104/102T
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Anvelopa allseason YOKOHAMA BluEarth-Van All Season 205/65R15C 102/100T
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Anvelopa iarna Continental VanContact Winter 195/70R15C 104R
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Anvelopa iarna UNIROYAL SNOW MAX 3 205/65R16C 107/105T
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.