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Anvelopa iarna Michelin ALPIN 7 215/60R17 100H
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Anvelopa iarna Continental WinterContact TS 870 P 235/60R18 103V
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Anvelopa allseason Kleber QUADRAXER SUV 275/45R20 110Y
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Anvelopa iarna Michelin ALPIN 7 235/65R17 104H
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Anvelopa allseason Continental AllSeasonContact 2 235/55R19 105W
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Anvelopa vara DUNLOP SPT MAXX RT 2 245/35R20 95Y
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Anvelopa All season PIRELLI SCORPION ALL SEASON SF3 255/50R19 107Y
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Anvelopa vara CONTINENTAL EcoContact 6 235/45R18 94W
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Anvelopa allseason Kleber QUADRAXER 3 255/40R20 101V
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Anvelopa vara FIRESTONE ROADHAWK 2 265/45R20 108Y
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Anvelopa vara Michelin PRIMACY 3 225/45R18 95Y
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Anvelopa allseason Michelin CROSSCLIMATE 2 225/45R18 95Y
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Anvelopa allseason Continental AllSeasonContact 2 215/45R20 95T
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Anvelopa vara GOODYEAR EAG F1 ASY 3 SUV 275/45R21 110Y
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Anvelopa All season YOKOHAMA GEOLANDAR CV 4S G061 255/50R20 109V
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Anvelopa vara Goodyear EAGLE F1 (ASYMMETRIC) 3 245/45R18 100Y
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Anvelopa allseason Michelin CROSSCLIMATE 2 245/45R18 100Y
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Anvelopa iarna PIRELLI P ZERO WINTER 245/40R18 97V
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Anvelopa iarna CONTINENTAL WinterContact TS 870 P 215/65R17 99H
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Anvelopa iarna BRIDGESTONE BLIZZAK DM-V3 235/65R18 106S
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.