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Anvelopa vara Continental PREMIUMCONTACT 6 215/55R18 95H
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Anvelopa allseason CONTINENTAL AllSeasonContact 2 215/55R17 98V
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Anvelopa Vara CONTINENTAL EcoContact 6 215/55R17 94V
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Anvelopa vara Continental PremiumContact 7 215/55R17 98W
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Anvelopa allseason Michelin CROSSCLIMATE 2 215/55R16 97W
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Anvelopa allseason Michelin CROSSCLIMATE 2 215/55R18 99V
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Anvelopa allseason GOODYEAR VEC 4SEASONS G3 215/55R17 98W
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Anvelopa iarna Michelin ALPIN 7 215/55R16 93H
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Anvelopa allseason Michelin CROSSCLIMATE 2 215/55R18 95H
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Anvelopa iarna Continental WinterContact TS 870 P 215/55R17 94H
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Anvelopa Iarna BRIDGESTONE BLIZZAK LM005 215/55R17 98V
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Anvelopa allseason Michelin CROSSCLIMATE 2 215/55R16 97V
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Anvelopa Vara CONTINENTAL ContiPremiumContact 5 215/55R17 94V
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Anvelopa iarna Michelin ALPIN 7 215/55R16 97H
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Anvelopa iarna Continental WinterContact TS 870 P 215/55R17 98H
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Anvelopa iarna PIRELLI POWERGY WINTER 215/55R18 99V
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Anvelopa iarna PIRELLI CINTURATO WINTER 2 215/55R16 97H
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Anvelopa iarna CONTINENTAL WinterContact TS 870 P 215/55R17 94H
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Anvelopa iarna Continental WinterContact TS 870 P 215/55R17 98V
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Anvelopa iarna Michelin ALPIN 7 215/55R17 94V
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.