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Anvelopa iarna NANKANG SV-3 195/50R16 88H
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NANKANG SV-3 195/50R16 88H
Anvelopa iarna NANKANG SV-3 185/50R16 81H
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NANKANG SV-3 185/50R16 81H
Anvelopa vara VIKING PROTECH HP 205/50R16 87W
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VIKING PROTECH HP 205/50R16 87W
Anvelopa vara FULDA SPORTCONTROL 205/50R16 87V
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FULDA SPORTCONTROL 205/50R16 87V
Anvelopa vara MATADOR MP 47 HECTORRA 3 205/50R16 87Y
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MATADOR MP 47 HECTORRA 3 205/50R16 87Y
Anvelopa iarna Hankook WINTER I*CEPT RS3 W462 185/50R16 81H
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Hankook WINTER I*CEPT RS3 W462 185/50R16 81H
Anvelopa vara FULDA ECOCONTROL HP 195/50R16 84V
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FULDA ECOCONTROL HP 195/50R16 84V
Anvelopa vara Gislaved Ultra*Speed 205/50R16 87W
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Gislaved Ultra*Speed 205/50R16 87W
Anvelopa vara UNIROYAL RAINSPORT 5 205/50R16 87Y
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UNIROYAL RAINSPORT 5 205/50R16 87Y
Anvelopa All season UNIROYAL AllSeasonExpert 2 185/50R16 81H
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UNIROYAL AllSeasonExpert 2 185/50R16 81H
Anvelopa Vara NANKANG NS-2R 195/50R16 88W
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NANKANG NS-2R 195/50R16 88W
Anvelopa iarna Continental WinterContact TS 870 185/50R16 88V
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Continental WinterContact TS 870 185/50R16 88V
Anvelopa vara Bridgestone POTENZA RE050 225/50R16 92W
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Bridgestone POTENZA RE050 225/50R16 92W
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.