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Anvelopa iarna Continental WinterContact TS 870 P 225/45R19 96V
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Anvelopa vara PIRELLI P ZERO (*) RFT 275/35R19 100Y XL
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Anvelopa vara Michelin PILOT SPORT EV 285/45R20 112V
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Anvelopa vara DUNLOP SPT MAXX GT 315/35R20 110W
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Anvelopa iarna BRIDGESTONE BLIZZAK LM001 235/45R20 96H
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Anvelopa allseason Michelin CROSSCLIMATE 2 SUV 235/45R20 100H
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Anvelopa allseason Michelin CROSSCLIMATE 2 SUV 255/45R20 101W
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Anvelopa iarna HANKOOK IW01A iON i*cept SUV 275/40R20 106V
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Anvelopa allseason Michelin CROSSCLIMATE 2 245/35R20 95Y
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Anvelopa Vara CONTINENTAL SportContact 7 265/35R19 98Y
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Anvelopa vara Pirelli SCORPION VERDE 275/40R21 107Y
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Anvelopa allseason Michelin CROSSCLIMATE 3 245/45R20 103W
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Anvelopa vara Michelin E PRIMACY 255/45R19 104V
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Anvelopa vara Pirelli SCORPION VERDE 285/40R21 109Y
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Anvelopa vara Michelin PILOT SPORT 4 245/35R20 95Y
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Anvelopa vara PIRELLI PZERO 285/30R19 98Y
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Anvelopa vara CONTINENTAL EcoContact 7 265/45R20 108V
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Anvelopa iarna GOODYEAR UG PERF+ 265/50R20 111H
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Anvelopa allseason Michelin CROSSCLIMATE 2 SUV 255/45R20 105W
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Anvelopa vara HANKOOK IK01 iON evo 245/40R21 100Y
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.